The Draug

The draug of Norse folklore is, perhaps, one of the most intractable monsters in the whole history of folklore. This creature has superhuman strength and reeks with the stench of the decay. He can rise from the grave as a wisp of smoke and transform into a:
  • Seal
  • Flayed bull
  • Gray horse without ears or a tail and a broken spine
  • Cat

Not only can the draug transform, he can also super-size and crush his victim. A special twist to the powers of the draug is that he is invisible to everyone except his future victims. So if you see him, you’re in big trouble.

If all this wasn’t enough, the draug can also drive animals mad, change the weather, and see the future. And he has the ability to enter the dream world and destroy his victims from inside their heads.

The draug kills his victims by crushing them when he is in his super-sized form. This is especially effective when he assumes the shape of a cat. As a cat he sits on the chest of the sleeping victim and grows heavier until the victim suffocates.

Killing a draug is a complicated process. A hero who is pure of heart must wrestle the creature with his bare hands. When the draug is down, the hero must decapitate him with the draug’s own weapon. Once decapitated, a wooden stake goes through the heart then the whole thing body and head must be burned until nothing is left but ash. If any of these steps aren’t followed exactly the draug comes back to life.

In order to avoid the creation of the troublesome draug in the first place, the Norse
bury the dead with a pair of open iron scissors on their chest. (hmmm) Straws or twigs are hidden in their clothes and the big toes are tied together. As an added precaution needles are driven through the soles of the feet to keep the dead from being able to walk.

Once the body is prepared, the coffin is lifted and lowered in three different directions to confuse the draug’s sense of direction.

A special corpse door is built in the tomb. As the body is carried in (feet first) the mourners gather around the door so the corpse won’t know where he’s going. The door is then bricked up for safety.

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Posted by: Kate Jonez

Bloody Mary

Mary Mary quite contrary,
How does your garden grow?
With silver bells and cockle shells
And pretty maids all in a row.

Nursery Rhymes are frequently based on unspeakable historical horrors. Children, I fear, may be essentially evil. They regularly and with much glee recite little rhymes filled with subject matter that would give pause to even the most graphic horror writer.

“Mary, Mary Quite Contrary” the familiar English rhyme is a choice example. The rhyme alludes to Mary Tudor, or Bloody Mary.

The daughter of Henry VII  was a staunch Catholic responsible for a repressive policy against practitioners of the Protestant faith. Her ‘garden’ referred to in the rhyme was a euphemism for the graveyards which, under her harsh supervision, filled up quickly with Protestant martyrs.

Silver bells and cockle shells were colloquialisms for instruments of torture.  ’Silver bells’ were  thumbscrews. This simple vice with protruding studs or spikes on the interior surfaces was placed on the victim’s thumbs and slowly tightened until the victim gave a confession. The ‘cockleshells’ were supposedly instruments which were attached to the genitals and tightened in much the same way.

Beheading in Bloody Mary’s time was problematic. The one who was to be beheaded frequently refused to cooperate and had to be chased around the scaffold. Often, multiple blows were needed to sever the head. Simple executions turned into drawn out and complicated public spectacles. The guillotine solved these problems. A common nickname for the the guillotine was the maiden. The ‘pretty maids all in a row’ refers to the collection of guillotines used to get rid of the troublesome Protestants.

Mary was indeed contrary. In spite of that, children have, for generations, embraced her and sung her praises. Doesn’t this seem suspicious? I suspect those cute little cherubs are actually monsters waiting for us to drop our vigilance for just one second.

You’ve been warned.

*** Thank you to Amanda Spaid for permission to use her stunning art work. You can check out her website here

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Posted by: Kate Jonez

Literary Gifts from Medical Antiquity

If you find you have characters who don’t have big enough obstacles to overcome, you might want to afflict them with an archaic medical disorder. Throughout history the medical profession has provided us with a wealth of colorful and gruesome sounding conditions.

  • Black tongue – A fever which prevailed in the western states (of U.S.) in the winter of 1842-3; probably typhoid fever.
  • Ictus Solis – Suntroke or inflammation of the brain or its membranes.
  • Worm Fits – Symptoms include variable appetite, fetid breadth, acrid eructions (?) and pains in the stomach, grinding of the teeth during sleep, picking of the nose, paleness of the countenance, emaciation of the body, slow fever, and sometimes convulsive fits.
  • Visceroptosis – One or more internal organ has dropped. (?) Abdominal surgery is indicated.
  • Sideratio – The state of one struck suddenly, without apparent cause, and as if by the influence of the stars or planets. (‘We don’t know what the hell that was’ disease)
  • Plague of Venus – Syphilis
  • Cancer Scroti – Soot wart. Cancer of scrotum due to soot. (?)
  • Gangrænopsis – Gangrenous inflammation of the eyelids.

Thank you to Antiquus Morbus for a great website.


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Posted by: Kate Jonez

Masters of Horror Anthology

Look for this exciting anthology. Coming Soon!

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The Line-Up:
1. Joseph Mulak: “Wounds”
2. Angel Leigh McCoy: “The Barnes Family Reunion”
3. Carole Gill: “Truth Hurts”
4. Cassie Hart: “its all in the cards”
5. Marty Young: “Firelies of the Bushfire”
6. Jennifer Brozek: “Cost of Job Security”
7. Scott M. Goriscak: “Home Sweet Home”
8. Karen Johnson Mead: “One Day”
9. Lee Pletzers: “Teeth”
10. Bob Morgan Jr: “Ladies of the Scale”
11. KK: “Visitation”
12. Larry Kokko: “The Clifton house”
13. Jason Warden: “Once Seen”
14. William Cook: “Devil Inside”
15. Richard Barnes: “Something Unpleasant”
16. Mark Edward Hall: “The Fear”

Cover art by Robert Elrod

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Posted by: Kate Jonez